growth

Apr. 13th, 2025 09:11 pm
just_cyd: (Default)
Something I have to work on constantly while cramming in all this live music is managing expectations. Going to see someone multiple times in a short span will almost certainly result in getting the same (or similar) show. Sure, the audience vibe can affect things with the artist, building them up into a frenzy or knocking them sideways, and time slots can vary. Usually what I get is the same set list, and with the exception of possible location-specific banter or stories, it can be a letdown.

On the flip side, when an artist is debuting new stuff, there's a different sort of letdown that comes from some of the old favorites being dropped from the roster in favor of the shiny new stuff.

Today was a bit of both. First, I realized that the Ordinary Elephant album that I'm most familiar with is NOT, in fact, their newest one, so most of what they played from the nearly 1 year old "new" album was new to me, not the stuff I hear most frequently. Then, when Wes Collins took the stage, he played 4 songs not on any of his albums - two of which were brand new - which meant that four of my favorites had to be dropped from the set list. I'm sure at some point some of those will come back around, when time allows it, or the crowd is more aligned with one set of songs over another.

It might sound like I'm complaining; I'm not. nearly three hours of awesome music is a lot to digest after a similar experience the night before. My brain is working through the jumble to make sense of everything, and file it all away for proper storage. There's a lot of other background noise cluttering things up, too.

Catching a band during a run of really good shows is good fortune - everyone was happy and energetic and laughing and dare I say entertaining and I feel so fortunate to have been part of it.
just_cyd: (Default)
The Wake Forest Listening Room is one of my favorite venues; I've attended half a dozen shows there in the last year. And I was thrilled that both WFLR and the Wes Collins Band could reschedule their canceled show so quickly, and on a weekend I would already be in town.

The band is made up of front man Wes Collin, guitarist Scott Dameron, bassist FJ Ventre, and drummer Barry Gray, but the versatility of Wes's music means that in whatever form its presented, it is amazing. (all-guitar trio, Wes & Scott, Wes solo, the full band with cajon, or this, the full band with drum kit)

I arrived as the doors opened and the band was finishing up a delicious-looking deep-fried dinner (I assume from next door), joking all the while about arteries hardening on stage and greasy fingers on guitar strings. They brought me into their banter as I handed off the little care package I'd intended for Friday night's show - Throat Coat tea, honey, and everything but the hot water to make it all happen.

Most bands have a fairly static set list, opening and closing with the same songs, the ones that work best in those positions, and mixing up the middle as the audience and time slot require. They mostly followed the set list that I got a pic of, but moved "I Love You Guys" to the second song, totally throwing me off, as he usually closes with that song. Despite the drum kit, there weren't drums on every song, but three guitars and a bass are what some of these songs need. A few of the songs, like Everyone Dances, are kicked up to 11 by the application of Dameron's electric guitar. I don't know what guitar gods he's channeling, but his playing brings a hauntingly beautiful song far into the depths of speechless beauty. ::shudders:: it's something that must be experienced at least once.

For Sugar Skull, Barry pulled out the cajon for percussion, and the guys blazed a path through the place, killin' in at speed. We talked with them after the show, insisting Barry needs to be on the full kit for this song, and he agrees, but they've never practiced it that way, as he doesn't want to blow out their eardrums. "Earplugs" someone helpfully suggested, so here's hoping the next full-band show will include that.

They wrapped up the show with their amazing cover of Louden Wainwright III's "I Don't Think That Your Wife Likes Me" to uproarious applause. That song gives each member of the band a chance to shine, and turns Wes loose vocally, after his quiet and introspective songs. (and I apologize that it opens with me snickering)

The band has great merch for sale, and I'm hoping the rumors of a new shirt with the line "Making it Awkward" come to fruition. Wes has a bunch of dates coming up in March and April and May, so you should go check him out.

-----

2025: Trip #3, Concert #5
just_cyd: (Default)
it's always a delight to see performers who are friends, and who truly delight in their shared time on stage. Wes Collins and Jess Klein were such a duo tonight, sharing the stage, stories, and silliness.

The North Carolina Music Scene is one big, happy, if a little nutty, family. WNC (Asheville), Triad (Winston-Salem) and the Triangle (Chapel Hill/RDU) are all one big clan, and pretty much any show I attend sees reunions between all manner of musicians. Similar musical styles also means musicians run in the same circles and attend the same sorts of workshops and festivals and whatnot. It was at one of these that Jess proposed the idea of a song swap to Wes, and I think his answer was something like "well, duh!".

Eno House hosts a plethora of events, and even under the umbrella of musical offerings, I had not yet attended a true Song Swap. They did some promo stuff for it, they learned each other's songs, and when they hit the stage, it was pure magic. There were solo songs, harmonies on one another's songs, there was new stuff, and some way-back stuff. There was The Whale Joke, stories of how songs came about, and a shout-out to the person who read Jess's newsletter and left her a giant bag of Bugles on stage. Oh, and there was a shout-along song, just because.

The Eno House is BYOB and snacks (although they do have some snacks available for donation), but I leaned into that a little too hard, hauling in a Snackle Box robust enough to have fed at least have the audience. Oops.

I attempted to video this whole show, and got most of the way through before my battery died. I'll deal with that set list and stuff tomorrow.

2025: Trip #3, Concert #3 attended, Concert #4 planned

Snow

Jan. 24th, 2025 08:01 pm
just_cyd: (Default)
Snow.
Changes people
Haters heat up, tempers flaring, so hot you'd think they could melt the offending freeze with their gaze of rage.
Lovers embrace it, hunker down, soup pots simmering, snowmen and sleds surrounded by laughter, smiles and mismatched woolens.
Middle ground, if it exists, is slim and tenuous.
"We need the cold and snow to appreciate the beauty of spring," I'll chirp, Pollyanna in a parka.

Snow gives the landscape makeover - highlights the contours, brings out the ridges and things normally blended together or hidden in foliage, changes disorienting at turnpike speed, new as it is, trying to reconcile what is NOW with what was last week.
Hillsides of barren trees become pale skin under thinning hair, The World's ugliest dog in landscape form.
Cheekbones teased out of an ordinary face, A drag queen's first layer before the pastels of spring come into play, the palette saved for special occasions. What is Appalachia's drag name?

But lines blur. "Whose lane is this anyway?" is not as funny as a similarly-named TV show. The show I drove down to see was canceled before my departure, the musician notifying me personally, hours before it was made public, wanting to spare me the expense of the trip. The hotels paid for, I forge ahead, with a tease of an alternate idea. Their Plan B was canceled by the next morning, three-fourths of the band not willing to take the risks of doing battle with Mother Nature. The Triangle itself all but shut down, save one show I didn't know about until just hours prior. Do I risk it? I don't know the laws. Does "winter storm warning" in NC translate to "level 3 snow emergency" in OH and all that comes with it? I know what I'm doing out there; does anyone else?

I do, and the risk is worth the reward. I'm greeted as he glides to the stage, a side hug and a kiss on the cheek, rough stubble lingering, mine alone to enjoy. He talked to me mid show, from the stage, shouting out our shared home state, later asking me to confirm the oft-missed Canal Street Tavern. Our little inside joke. Lifelong friends on our second meeting. His post-show glow and sincere thanks that I made the effort. The moderately well-attended show should have been a sell-out. this time it's Mother Nature that is the woman who ruins everything.

Carefully penguin-walking my way back to the parking deck, the pt pt pt of the icy pellets as they hit earth, still warm enough to remain slush on the ground. Echoes of laughter and flashes of light as college kids do battle with snow balls and cell phones, trying to capture the moment for the 'tok, or 'gram, or maybe mom and dad back home. I chuckle with them under my hoodie, hoping they remember to save a copy to their brain, to recall years later. Google Maps directs me through campus, down residential streets and past buildings I've heard of but not yet viewed. Students are out en masse, just another Friday night at UNC Chapel Hill. Rain with teeth can't stop the promise of a good time. A collection of snow-people chill on the ledge of a historic building/tower that I cannot find in the full, lush summer street view of Google Maps.

By Ohio standards, the highway is fine: slushy, sloppy, but lines are mostly clear, and other drivers match my reduced-for-survival speed of 40 MPH. Rover's new Coopers serve us well. The plows aren't out, but there's no point in plowing until it stops. By the next morning, the only signs of the storm are the plow-deposited piles, and the frustrated hotel guests trying to re-book canceled flights. Did I dream it all? my still-damp hoodie confirms my remembered weather, and the two different event posters satisfy my other questions. By the time I venture forth post nap, well past noon, my pink plaid flannel is all I require.

The blue sky of the drive home belies the prior storms, until Greensboro and points northwest show accumulation retained, the power of elevation. The sun spotlights the frozen tears streaming through the rocky borders of my path. Ramrod straight, as gravity demands, their sparkle and spikes adding yet another facet to the face of the path I thought I knew so well. The icicle tears spring forth from hidden places; what else am I not seeing? I shudder, collect myself, and sing louder, drowning out the voices of all that must be faced when i return to what still counts as home.

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